Friday, May 31, 2019

Brightburn (2019)


Rated: R ~ Run time: 1 hour 30 minutes

James Gunn produces this anti-Superman horror flick. Elizabeth Banks and David Denham star as a couple who end up adopting the baby they find inside the meteor that lands in the woods not far from their Kansas farm. Everything is going well for the little family until the son turns 12 and his alien superpowers start coming out and wrecking havoc on those around him. Jackson A. Dunn plays the super boy who wears a cape and a makeshift mask while killing anyone who dares tell him no. This is a standard horror film with nothing special about it except missed potential.

Thursday, May 23, 2019

A Dog's Journey (2019)



Absolutely loved it.

"A Dog's Journey" is the sequel to 2017's "A Dog's Purpose" and the human characters are one dimensional, but this is told from the point of view of a dog.

Josh Gad reprises his role as Bailey, a dog who reincarnates as a different dog every time he dies as he is fulfilling his life's purpose.

Bailey belongs to Ethan (Dennis Quaid) and his girl Hannah (Marg Helgenberger). Bailey lives with his boy on their farm in Michigan after proving that he is in fact Ethan's first dog at the end of the first film (remember: reincarnating dog).


Living on the farm with them is Ethan and Hannah's daughter in law Gloria (Betty Gilpin) and their granddaughter CJ (young CJ is Abby Ryder Fortson and adult CJ is Kathryn Prescott). Gloria is an alcoholic who leaves the farm with CJ to ensure that Ethan and Hannah cannot take her daughter away from her. As Bailey dies shortly after Gloria and CJ leave, Ethan gives him his new purpose: take care of CJ. Bailey reincarnates as different dogs throughout CJ's life to ensure that he fulfills his purpose.

As mentioned the characters are one dimensional. This is based entirely off of Bailey's perception of them. There are moments that tug at the heartstrings and bring on the tears, but this is definitely for a specific audience. This issn't meant to be an award winning film, but that doesn't mean it isn't enjoyable.

"A Dog's Journey"
Grade: B-
Running time: 108 minutes

Wednesday, January 30, 2019

Film Review: A Dog's Way Home (2019)


We know that our canine lead Bella (played by Shelby the dog) will find her way from Farmington, Neew Mexico to Denver, Colorado. It's in the title A Dog's Way Home. Although it does take the dog two and a half years to get home and that is quite a time period to cram into a film.

The film is adapted from W. Bruce Cameron's book of the same name (not to be confused with A Dog's Journey the sequel to A Dog's Purpose). I read the book so yes, I'm going to be annoying in this review There are definitely themes that Cameron oversimplifies in the book (PTSD, homelessness, etc.), but as it is written from Bella's point of view it makes sense. She's a dog. She doesn't understand what those things are and how they truly impact a human being. This oversimplification does not work in the film. Obviously we're seeing these events happen and even though we're following Bella, it seems childlike.

Director Charles Martin Smith is working with a script that is incredibly rushed. Emotional moments that read beautifully in the book were barely glossed over in the film. As I said, two and half years is a lot to cover in two hours especially since Bella comes across and impacts so many people.

However, Smith does do a great job of showcasing Bella (voiced by Bryce Dallas Howard). Her interactions with the other animals and the humans she comes across is handled well. We know how she feels and how those she comes across feel without hearing her inner monologue.

Bella's story begins as a stray puppy living underneath a home set to be demolished. She is adopted by Lucas (Jonah Haur-King) a VA administrator living with his Afghanistan veteran mother (Ashley Judd). Lucas angers the men wanting to demolish the home so he could build an apartment building and having friends in high places, demolisher calls on a favor from his friend. His friend is an animal control officer who declares Bella a pit. As pits are banned from Denver, Lucas sends Bella to Farmington while he and his mom find a new place to live in outside of Denver city limits.

In the film, Bella's mother is briefly shown and she is a pit. The book never states anything other than Bella doesn't look anything like a pit. I do wish Bella looked like a pit (or at least acted like one). I think the point of this was just to showcase the animal control officer's abuse of power, but it still bothers me.

I do wish Bella's journey focused more on her interactions with a gay couple and a homeless veteran which make major impact in the book. These moments are quickly added, but not focused on. Instead most of the film follows her journey with a cougar. She does travel with a cougar, but so much more happens while living with the gay couple and especially while living with the homeless vet. Besides the CGI cougar and the moments CGI Bella interacts with said cougar is bad. It looks bad.

This film could have been better, but it is definitely heart warming. You feel happy for Bella once she's reunited with her people. You can't help feeling grateful that her long journey is finally over. Of course, Shelby's performance as Bella adds to it. You can't help falling for her beautiful eyes and smiley face.


Monday, January 21, 2019

Film Review: Roma (2018)


This autobiographical drama is definitely one of Alfonso CuarĂ³n’s best. We are taken into a part of Mexico’s history that not many people know about while getting a poignant look into its class divisions. 

Yup. That’s it. Writing this on my iPad so keeping it short and sweet. Check it out. 

Wednesday, December 26, 2018

Film Review: Spider-Man: Into the Spider Verse (2018)


In my lifetime I have seen six different Spider-Man films brought to life. I have seen brought to life on the big screen by three different actors (Tobey Maguire, Andrew Garfield and Tom Holland). Never have I enjoyed a Spider-Man movie as much as I enjoyed this one.

The animation brilliantly moves and feels like a comic book brought to life. It visually brilliant and incredibly cool to look at. The filmmakers who brought this adaptation of Spider-Man to life are the ones who have made "The Lego Movie" (which I have not seen) and "22 Jump Street" (which I have and also enjoyed immensely).

"Spider-Man: Into the Spider Verse" brings different spider men and women from different alternate universes into the particular universe in which Miles Morales (Shameik Moore) an Afro-Latino (!) becomes Spider-Man.

This is an original Spider-Man story and while some things are re-treads of the old films (Miles gaining his powers, learning how to use them, losing someone close to him) they are presented in a new and fresh way. As you're watching Miles go through these things it feels like you are watching Spider-Man go through these things for the first time.

Miles is plunged into the world of superheroes after he watches the classic Peter Parker (Chris Pine) die under the hands of Kingpin (Liev Schrieber). Kingpin has commissioned a team to create a machine that will open up any alternate universes in existence. Things go awry and the different spideys are taken into Miles's world including an older Peter Parker (Jake Johnson). The new Peter unwillingly begins teaching Miles all there is to know about being Spider-Man.

Joining Peter and Miles is Spider-Gwen (teenage Gwen Stacy voiced by Hailee Steinfeld), Spider-Man Noir (a spider-man straight out the noir genre voiced by Nicolas Cage), Peni Parker (a girl from the future with a futuristic robot voiced Kimiko Glenn ), and Spider-Ham (a pig voiced by John Mulaney). It is especially cool to see all the ways in which they make these characters unique to their worlds. Spider-Ham can be straight out of a Looney Toons cartoon, Peni can be straight out of an anime, and Spider-Man noir has wind to billow out his coat anywhere he goes.

It is fun to see all these characters working together and clashing with one another. The entire voice cast in phenomenal as well. They inhabit these characters perfectly so you never feel as though you are hearing a celebrity simply lending their voice to a film.

Miles, Peter and the all the rest team up to bring Kingpin down and send everyone to their respective dimensions. Miles learns how to be Spider-Man and how to embrace the daunting responsibility now in his hands. All of this is done in a funny and dynamic way. Everyone knows I'm not a fan of superhero films. They are formulaic and action packed which was fun... before the world was saturated with Marvel and DC films at every turn. This was new and exciting. This had me rooting for Miles in a way I hadn't rooted for a hero in a long time. If more superhero films were like this, maybe I would be more excited to watch them.

Broadway Review: Pretty Woman: The Musical


I have personally never seen "Pretty Woman" the film. If it's anything like the musical I'm not sure I want to. "Pretty Woman" stars Samantha Barks and Andy Karl and has music written by Bryan Adams and Jim Vallance. There's nothing else of importance worth mentioning.

It seems to follow the film almost exactly based on audience reactions. Multimillionaire Edward Lewis (Karl) gets lost on his way to his Beverly Hills Hotel and encounters prostitute Vivian Banks (Barks) and decides to take her with him. It's only supposed to be a one night deal, but Edwards pays her for a whole week's companionship teaching her in the process of a better life she could be living and she teaches him how to live in the moment.

Banks's Vivian is spunky and intelligent and it makes you wonder why she has never gotten herself out of this situation she clearly despises. There is also nothing romantic about how the two characters end up together. Still, the film is a classic and fans of the film were clearly enjoying a film they liked being brought to the stage.

The scenes between Vivian and her best friend Kit (Orfeh) are the best. Barks brings an immense likability to Vivian and it is fun to watch her. The awkward moments (besides in the way she is treated) come from the moments in which Vivian and Edward engage in sexual acts. The production team seems really intent on hammering in what they are engaging in while keeping it as PG as possible. There was no need for these moments other than to prove she's doing what she's getting paid to do I guess.

There were also moments that were completely glossed over. I guess their inclusion came from being in the film, but they are mentioned, and then quickly forgotten. There is a prostitute found dead early in action. Nothing comes of this. There is simply a dead prostitute. Being a prostitute can be a dangerous profession, but the other prostitutes are concerned for her death for a hot second and then they move on. I guess things became not so dangerous in a span of ten seconds.

The famous scene in which Edward closes the jewelry box on Vivian as she reaches for the diamond necklace is included, but so choreographed it loses all meaning. Clearly this is here simply for fans of the film who would be upset if it wasn't included. Vivian is strong and optimistic and she truly does not need a man in this adaptation. She ends up with Edward I suppose because she has to.

Karl does well in the role of Lewis, but there isn't much to him. He is money hungry in the beginning and almost instantly after meeting Vivian he is not. He is incredibly one dimensional that there is no place for him to truly develop as a character.

The entire cast though is fantastic. Barks and Karl sound great throughout. Orfeh steals the show anytime she is on stage. Leading us through the events of the story is the Happy Man (Eric Anderson). He doubles as the hotel manager and there is definitely a distinction between the two characters. He lights up the stage especially as the uptight hotel manager with a sense of humor.

The show isn't terrible. I have definitely seen worse productions on stage, but there is nothing memorable about it. It seemed to please fans of the film which is what matters I guess. The musical wasn't made for me or non fans of the film. Still I wish we could demand more. More emotional range and depth to the script. More opportunities to let these clearly talented actors showcase their skills. They seem to be having fun onstage, but I am sure they can do so much more.

Wednesday, October 31, 2018

Mike Birbiglia's The New One on Broadway at the Cort Theatre


Mike Birbiglia did not want to become a father. He states seven reasons as to why. Mainly he believed he was inadequate. He also did not want his life to change drastically.

He tells the audience all of this in "The New One". Playing for twelve weeks on Broadway's Cort Theatre, Birbiglia's experience is funny and also harsh. The first part of the show is dedicated to the reasons as to why he did not want to become a father. Interspersed are stories of his brother and nephew and his career. As someone who does not want children it was easy to relate to this, but as the show progresses even I thought some of the things he was saying were too mean.

Birbiglia is a comedian and actor who has appeared mainly with Amy Schumer. He is funny and endearing. You can't help but like him. He is relatable. That is why it is a shame that the second half of the show isn't as strong as the first half. The jokes aren't as funny especially when you stop to think about the things he is saying about his family which now includes his young daughter.

"The New One" begins with a stage bare of almost everything but a stool and a rug. Birbiglia begins his show talking about his first major purchase: a couch. This turns into a story involving his brother and nephew and after recounting this story to his wife she tells him she wants a baby. He insists that he shouldn't have one especially since upon marrying she knew how he felt about having one of his own. She reminds him that she was unsure at first whether or not she wanted one, but now it's official. She wants a baby.

He lists 6 out of the 7 reasons in detail why he should not have children. In the end he gives in to his wife's demand and she is pregnant and experiencing pregnancy hormones that double every three days.

The show is directed by Seth Barrish, and director and performer make the show funny. There are bits during his wife Jen's (he calls her Clo) pregnancy that are hilarious. It is fun to watch him relive his wife's pregnancy and all the funny moments that came with it.

When the baby arrives, the jokes keep coming. They just aren't as funny anymore.

It is possible that Birbiglia is overexaggerating how he felt after his daughter's birth for comedic effect. Even so, he is not as likable as he was before the birth of his daughter. He is upset by the fact that his life has drastically changed even though his wife promised it wouldn't and while that is understandable, he comes across as selfish and full of self pity.

There comes a moment after a particular interaction with his wife and daughter that he states "I know why dads leave". He makes a joke out of it, but it is still an incredibly harsh things to say. This is the moment in the show that got the least amount of laughs and those that did laugh did it more because they felt uncomfortable.

I am not familiar for Birbiglia's comedy. It is possible that he says things like this for shock value. I don't know. Even so it is not funny. It is a horrible thing to say and maybe he does legitimately feel this way. He hasn't left his wife and daughter, so maybe he feels this is why he can say something like this. I have no idea, but it did not sit right with me.

A lot of the jokes built around the birth of his daughter and life after her birth revolve around traditional gender roles. He is not as attached to his daughter because his wife is doing all of the work. She is raising their baby and still doing all the household chores without his help. Yes, there are people who live this way in reality and more power to them if they are both content. He is not content, though.

The show does have a happy ending. He begins to help his wife with the chores and he develops a bond with his daughter. There were beautiful moments on his way to the discovery of fatherhood, but there were also ugly moments. Those jokes might have been written in an exaggerated form of how he truly felt, and I am not knocking on his experience. He is allowed to feel how he does. The ending makes up for those moments, though.